Tuesday, February 9, 2010

                                                       3 x 4 feet canvas   Acrylic on Canvas

This was the painting that I presented to you on Friday.  You can see that there's been a few changes.   I find that with these bigger paintings I can't finish them all at one go.  That's a change in how I approach things. 

I've added another range of mountains to extend them beyond the half way point.  I've also refined the middle ground and worked on the forground a bit.

I liked the high drama of the intial drawing and hoped that's what I achieved here.

Enjoy

Monday, February 8, 2010

 

From Sketchbook to Canvas

A one day workshop by A.S. Helwig

Join me in this one day workshop.  This course is designed for intermediate painters as well as some beginners who have a little bit of experience.  
We'll start with a value sketch so you will be creating a piece of art from your own photo references.  I'll then take you through the process of blocking the work onto the canvas and then how to approach the painting process.  We'll talk about value, colour harmonies, effective contrasts, and paint application.    The class size is restricted, so you will have individual attention as you develop your own work.

The cost of this one day workshop is $125.  If you are interested in registering please click on the link above.

Friday, February 5, 2010

what's on the easel

                                                  3 x 4   acrylic on canvas

This is the painting that is currently on my easel.  I've been at this one for a little while.

If you look closely you might see that the sky is underpainted in red.  Underpainting was a method used by the masters to tone the canvas before painting.   The colour underneath influences what is on top of it.  You can see speaks of red through the blue of the sky.

I really like the drama of this painting.  The hills in front look great. I need to soften some of the bush edges, and look at the lines that they are making.    I do think the next area that I will be focusing on will be the middle ground.  It seems too dark and undefined.  What is going on there anyways?   The light would probally influence that part of the painting as well, I need to highlight some of the hills that it is hitting.  The mountains in the background also need a bit of softening. 

That's my plan so far with this painting.  I'll see where it takes me.

Thursday, February 4, 2010

The Value of an Art Education

 
3 x 4 feet  Acrylic on Canvas
Often you're asked to critique beginning work of aspiring artists.  This is something, as a mentor, that I like to do.  There is always something good to see in the work, something to encourage.  Also you need to give a critical analysis of the work to show areas of improvement.    This recently was a topic on the Robert Genn website.  Robert Genn is a well respected artist, who is the head of an online art community called Painter's Keys.   As he discusses, at times people are really interested in the business side of art.  They see people selling art and think that might be a great way to make a living.   But they are not willing to put the time and effort into developing their work.  Their work is not yet ready to present to a wider audience.

I had the same discussion with a group of my fellow artists the other day.  They are potters.  In order to a fantastic potter you have to spin a lot of pots.  You can use the wheel to create something that might be useable, but what will set your work apart is artistry and aesthetics of the craft.  That only comes with experience and knowledge.  Hands in the clay so to speak.   The same is true of painting.  There is craft and skill in all types of painting. That is learnt through painting a lot of pictures.  

It seems like a lot of people dismiss this skill and knowledge.  They want to be self taught.  For some reason that seems to be valued higher than those who went to school and studied art.  Yet we wouldn't trust that attitude in other professions.  Its laughable to have a self taught doctor to operate on us, or a self taught lawyer to represent us in court.

In the past art knowledge was acquired through guilds.  Young boys apprenticed in studios when they were very young.  They learnt the craft of art through the hands of the master.  Presently receiving an art education, through the teaching of an experienced artist, is the counterpart.  They will be able to teach you how to critically view your painting.  They will guide you to ask the bigger questions about creating art.  They will show you it really isn't about the product that you end up with, but the process of creating art.

Often when people profess to be self taught they are not taught at all.  They don't read about art.  They don't view art.  They are unaware of the different techniques that are available when creating their work. They don't know about art history.   They haven't studied about colour and so are unaware of colour harmonies and contrasts that can enhance the message they want to present in thier artwork.  They do not have a social context for their work.  Their thinking is limited and so often their work reaches a plateau that can't be surpassed. The only way to overcome this hurtle is to be taught.  It that means self directed, and you have the discipline for that, then good for you.  For most of us that means seeking out a program or mentor who will stretch us and invite us to a new way of thinking.

Wednesday, February 3, 2010

Something New- Figure Drawing

 
Thought I would post some drawings that I've done recently.    I haven't done figures for years--actually it was probably in art school when I last worked on them.   So I am feeling very rusty about my skills.  Yet I believe its important to set those challenges in front of ourselves.   Its that reason that I registered in a figure drawing class at Wildflower Art Centre.
It feels great to draw the figure again.  There is something about it that is unlike any other type of drawing.  I'm still struggling with the proportions and you can see that feet and hands are not my speciality.  My teacher Steven says we will be working on that next week.  I can't wait.

One of the reasons that I keep heading to the studio is because I am still learning things.  It is what keeps me intriqued, fasinated and inspired by art practise.  I can tell you that time in the art studio drawing  or painting just flies by.  I can't think of a better way to spend a few hours.

Furthermore I'm realizing all sorts of things.  I now know that I no longer think in line.  I used to think in those terms.  I now am spending more time considering value.  That's a direct link to my painting realizations.  It's taken me a long time to realize that it is really all about value and shape.   

Now I'm thinking that I should try to paint the figure.  We'll see where that leads.    I'll post more work from my class as time goes on, afterall it is a nine week course.

Tuesday, February 2, 2010

What ever happened to? The finished painting

 
 3 x 4 feet acrylic on canvas
Last Friday I posted a self critique on this painting. I thought you might want to see how it turned out.   I added more trees and bushes on the left hand side.  The foreground is also punched up with more value and colour.  

Enjoy.


Monday, February 1, 2010

diamond Willow Workshop


Painting at Diamond Willow

I wanted to announce an upcoming workshop that I'm giving.  Its for all of you who want to get out of the city.  The workshop starts on Saturday Morning, Feb the 27th.   You will have a full day of art instruction. The class size will be small so you will get a lot of individual attention.   This course is designed for those people who have little or not experience painting in acrylics.  The folks at Diamond Willow will feed you lunch and dinner.  After dinner we'll review the day's work for a friendly critique.  After a good night's sleep you'll get up for a yoga class and then Pat will feed you breakfast before you are on your way.   

Diamond Willow Artisan Centre is outside of Calgary by Turner Valley and is a beautiful spot.  You'll be inspired by their style of country living.

Fees include shared accommodations for one night, art instruction, lunch, dinner, breakfast, snacks and yoga instruction.  They are $295 plus taxes.  

If you are interested in this weekend you can email Diamond Willow to register. If you prefer you can phone at 403 933 5755